He has had articles published in crime fiction magazines such as The Armchair Detective and he is a lifelong reader of comic books! Among other things he intends to educate the world to the joys of Alfred Hitchcock Presents and (with Peter) DC War and Horror comics. Jack Seabrook is the author of two books on popular fiction: Martians and Misplaced Clues: The Life and Work of Fredric Brown (1993) and Stealing Through Time: On the Writings of Jack Finney (2003). They're now expending their energies on the bare ![]() ![]() They took the world by storm with their blogs, A Thriller A Day, We Are Controlling Transmission, To the Batpoles! and It Couldn't Happen Here. Much of his free time is spent scheduling programming in his home theater, The Slaughtered Lamb Cinema.įor more than ten years, John and Peter were co-editors of The Scream Factory: The Magazine of Horrors Past, Present and Future and bare John Scoleri is the author of several books on artist Ralph McQuarrie, the producer of a feature length interview DVD with actress Caroline Munro, and is the self-appointed curator of the I Am Legend Archive. ![]() He has written for all the major channels on the topics, including Paperback Parade, Mystery Scene, The Digest Enthusiast, Paperback Fanatic, Men of Violence, Mystery File, Comic Effect, and Peter Normanton's From the Tomb. Peter Enfantino is an obsessive collector of Mystery, Crime and Horror digests including Alfred Hitchcock, Manhunt, Mike Shayne, as well as the entire stable of Warren Magazines. I've been trying to do something similar on my own Bradbury-themed website, but ran out of steam as far as reviews are concerned a couple of years back. I look forward to seeing some more of these. Thanks, Jack, for an informative article. Those who say his dialogue is unbelievable (Rod Serling made this claim, and so have many others) have based the judgment not on Bradbury's screen dialogue but on the dialogues in his prose fiction. The secret to adapting Bradbury is to choose an APPROPRIATE Bradbury, something that relies on drama and character rather than concept or visual metaphor.īradbury's screen dialogue is perfectly good. There's a persistent myth that Bradbury cannot be adapted well for film or TV, and a second persistent myth that Bradbury was no good as a screenwriter because he couldn't write believable dialogue. I suppose the best remembered Bradbury Hitchcock was "The Jar" (Alfred Hitchcock Hour), but that wasn't scripted by Bradbury himself. 2012.Īn excellent article on Bradbury's first, and modest, Hitchcock episode. "Shopping for Death." Alfred Hitchcock Presents. Electronic Theses, Treatises and Dissertations. ![]() "Conversations with Ray Bradbury" (2003). Bradbury again wrote the teleplay and it is available on DVD but not online.Īggelis, Steven Louis. The story was adapted a second time for television as part of The Ray Bradbury Theater. The dramatization on Alfred Hitchcock Presents is available on DVD and can also be viewed online. gUqiPd.gUqiPd:hover only screen and (max-width:37.“Shopping for Death” was reprinted under the title “Touched With Fire” in Bradbury’s popular anthology, The October Country, and later collected in the Stories of Ray Bradbury. The best Alfred Hitchcock Presents episodes
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |